Fresh off her Oscar nomination for “Sentimental Value,” Renate Reinsve transforms in “Butterfly” – visually, too.
“Itonje wanted me to move away from how I’ve looked before. Lily went against normal beauty norms,” she says.
“It made a lot of sense for this character, who had grown up being exploited because of her beauty. She’s trying to remove herself from the male gaze. At the same time, she enjoys provoking reactions, but without attracting anyone’s sexual attention.”
In the film, shown at Göteborg and IFFR, she plays Lily, a performance artist who reunites with her sister Diana (Helene Bjørneby) in the Canary Islands after their absent mother’s mysterious death.
“It’s one of the hardest things we do, and it requires constant effort: trying to get over the hurt and pain caused by somebody’s actions. See a more nuanced picture or innocence of where that came from and be free,” she says.
“You can tell how much strain these sisters have because of how they grew up, in such an unusual way. The only way to reconcile it is through each other.”
Norwegian actor enjoyed being on set that felt like “a mix between a fictional movie and a documentary.” Mostly because of the non-professional actors who had a real connection to the places where they filmed.
“I love filmmakers who try to challenge the established,” she notes.
“Itonje’s ideas come from somewhere else. It’s so unconventional and I really admire that. Hopefully, I’ll keep on working and learning from directors with different tastes and different ways of making movies.”
Itonje Søimer Guttormsen received arthouse recognition thanks to her previous feature “Gritt” about a polarizing character who actually makes a cameo in “Butterfly.”
“She’s such an atypical female character. You love her on some level because she’s so hard to like. There’s something sympathetic about that,” admits Reinsve.
“I definitely knew we were moving into the same landscape with Lily. She has many traits that make it difficult for her to blend in or function as expected, and she has no intention of changing. She’s in a constant fight with the world.”
Itonje Søimer Guttormsen jokes that she’s drawn to “difficult women.” “Women who are fighting and finding strategies, perhaps because they were wounded, neglected or abused. But Lily and Gritt are quite different. Grit has projects and ideals, while Lily is quite selfish.”
“Butterfly,” with its focus on strained family relationships, might be her most accessible work yet. It’s sold by Protagonist Pictures.
“It’s quite relatable, and then it shifts gears and goes off-piste. Maybe it will encourage more audience members to join in, and then I’ll take them on a journey into the wild anyway.”
She adds: “I don’t want to compromise. I want to be bold in my art and dig deep. Still, I would love to reach out to a wider audience. ‘Commercial’ is not the right word, but this is my most inviting film.”
Having Reinsve as the lead certainly helped. “In Norway, it’s all very democratic. Everyone knows each other. When we started, she wasn’t yet on that level yet, but she’s a huge star now, so people will notice the film because of her. It’s a gift, but I just knew she was right for the role.”
With her outrageous looks, Lily certainly stands out. But there’s a method to the madness, assures the director.
“Lily uses clothes to armor herself; that’s how she sets herself apart, also from her sister. She’s telling everyone: ‘I don’t belong here.’ But she’s also a chameleon. She adopts traits from the people she meets. I always saw her as worn-out and definitely not healthy, and of course Renate is amazingly beautiful. She was bold, embracing that and really curious about how to enhance her looks.”
As Guttormsen’s characters reluctantly decide to follow in their mother’s footsteps, they get to know her through the people who transformed her.
“She’s made an incredible journey, which a lot of Norwegians have also made in Gran Canaria. It’s our most visited island and everyone has a relationship with it. She felt trapped and neglected her own children in order to escape, but then she built a healing retreat center for women. Now, after her death, she’s healing them too.”
With Norway on everyone’s lips because of the Oscar frenzy, Guttormsen hopes it will bring about concrete changes.
“What’s happening with ‘Sentimental Value’ is just amazing. It has never really happened in Norway before. The whole industry is excited and a bit dizzy from it, and I hope it results in more funding. So many people are leaving their jobs as filmmakers,” she says.
“Sometimes, I see institutes focusing on just one tendency. It can be ‘we need more viewers’ or ‘we need more awards.’ Personally, I want to see a variety of filmmakers. For me, an Oscar is neither within my reach nor on my radar. So here’s to hoping there will be more space for other things as well.”
And for more Gritt, who might still show up in the future.
“I know I will meet her again. I would like to see how she ages and maybe make a whole film about that. She might not appear in my next, but maybe someone from ‘Butterfly’ will? With my films, I’m creating a whole universe. It’s my world.”
